Pendants
12.5cm (high) x 13cm (wide) x 1cm (deep)
Weight: 96.3g
Time to Create: 52 hours
Inspiration
I am inspired by nature, stones and Victorian jewelry of the past.
This particular moth was inspired by the journeys of my lapidary artist friend, Paul.
He is a rock hound and hikes over the hills and valleys of Northern California. Sometimes he takes me with him on his cell phone. We both have a passion for poppy jasper.
Over the years he has backpacked long trips with hammer and picks extracting rocks from the Ancient Chief Two Jackets Mine. Paul carries 75lbs-100 lbs. back from the mine to his home where he washes them, cuts them into slabs to show the beautiful patterns of the poppies and sends me pictures. I draw shapes on the pictures and then he cuts and polishes them into magnificient cabochons.
It is hard to believe what is hidden under our feet.
Paul sent me a cigar box with unbelievable stones of “ Morgan Hill Poppy Jasper” with the rare pimento variety… and this moth was inspired…EJC.
Techniques
After receiving the cigar box of Morgan Hill Poppy Jasper cabochons, I was inspired to make this large moth. I chose two beautiful rare pimento variety stones for the body.
I began drawing the outline of the moth, then adding the decorational lines. I added a few Victorian twists that I enjoy for my art pieces.
I chose a large seed pod that I found on a walk in the park to mold for the eyes. I made snake rolls of PMC for the antenna, carving as needed. I then made the head, face, and components, carving and texturIng each of them. I cut a few small tools to make the squares on the wings and made the flowerettes also texturing each one.
I rolled the clay and cut each wing individually.
I made the bezels that will house the jasper stones. I wanted to make sure they would stand out as the magnificent body of the ‘ MORGAN HILL NIGHT MOTH’.
I measured often to make sure every piece would fit and fire as one piece one time. I filled the bezels with an investment material to hold the size and shape of the stones. After firing I washed the piece to get off any dust. I then added the patina and let it dry. My next step was to sand off the black patina to reveal the beautiful shine of the fine silver with different grits of sanding papers, leaving enough black for that old look. I then set the stones and polished again with a soft cloth. A fine silver moth is born and comes alive.
Materials
PMC+
PMC3
Morgan Hill poppy jasper
Cubic Zirconia
Black Onyx