Search

Artist Challenges

A story should have a beginning, a middle and an end, but not necessarily in that order.

Jean-Luc Godard, filmmaker

Get ready to bring your cinematic vision to life — in metal clay!

From moody noir to sci-fi epics, red carpet glam to retro camera vibes, this fall’s challenge is all about the magic of the movies.

And it’s not just for jewelry — think sculpture, containers, automata, toys, and more. If it’s metal clay and movie-inspired, we want to see it.

Lights, camera… create!

Great Combinations Challenge combos

I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.

Francis Ford Coppola, filmmaker

The whole of life is just like watching a film. Only it's as though you always get in ten minutes after the big picture has started...

Terry Gilliam, filmmaker

Costume is the first impression that you have of the character before they open their mouth—it really does establish who they are.

Colleen Atwood, costume designer

Great Combinations Challenge combos

Acting is not about being someone different. It's finding the similarity in what is apparently different, then finding myself in there.

Meryl Streep, actress

Great Combinations Challenge combos

Every object on screen has a purpose—even silence. Even stillness. Nothing is filler.

Dennis Gassner, production designer

Editing is not just about cutting. It’s about understanding emotion and rhythm—it’s like composing music out of moving images.

Thelma Schoonmaker, film editor

Acting is behaving truthfully under imaginary circumstances.

Sanford Meisner, actor

Great Combinations Challenge combos

The categories are:

  • Beginner
  • Intermediate
  • Advanced

Key Dates

August 1, 2025 – Submission for entries opens
September 5, 2025 – Submission closes for all entries
September 26, 2025 – Winners announced

Each category will have a winner and Certificate of Merit will also be awarded.

All winners get a digital certificate to use on their website and social media channels.

Jury’s comments
Artists tell us how affirming and inspiring the jury comments are, and how wonderful it is to receive feedback directly from some of the world’s top artists. After the winners are announced you’ll be able to log in to Artcall to view the jurors’ comments about the piece you submitted, these comments are private to you and not seen by anyone else.

Whatever skill level you believe you are, creating a piece for a challenge will boost your confidence as an artist. 

Plus – you’ll enjoy the inspiring private feedback you’ll get from the great artists of our jury! 

Winners

Great Combinations Beginner winner Bettina Hauser
WINNER Beginner

Annette Lyons – UK

Cleopatra – Necklace

What was your inspiration?
When I first saw the 1963 film Cleopatra it sparked in me a lifelong interest in ancient Egypt and its symbolism. Ancient Egyptian symbols represent fundamental concepts of life, death, rebirth, power and protection. Often seen in tombs, temples and art. These sacred symbols were used by all levels of society to convey complex ideas and invoke divine protection. This symbolism inspired my piece. I used the lotus flower as the key shape. The Lotus Flower is a symbol of purity and associated with the creation of the world. To the stem of the flower, I added the Ouroborus, snake eating its tail representing infinity. On the reverse, I incorporated an Ankh known as the key of life. A cross with a looped top, representing eternal life and immortality. I also added a Cartouche, an oval Egyptian name plate that contained a royal name written in hieroglyphics. And finally I incorporated a Scarab Beetle, a symbol that embodies transformation and rebirth. When used on jewellery, it was believed to safeguard the wearer against evil. Egyptian symbolism epitomises the film Cleopatra, and my inspiration for my piece.

Juror comments:

I adore ancient jewelry and I can definitely see the nod to historic jewelry in this piece. I think it accentuates the form as well as paying homage to ancient Egypt.

Excellent texture and attention to detail, that are highlighted by your patina. Love how you took into consideration the back as well as the front.

I like that both sides of the pendant were considered and the use of the ankh as the base for the bail centers the piece. Your edges are clean and crisp and I can tell that care was taken in the finishes. Excellent use of patina and texture to compliment your theme.

Photo credit: Artist Own

Great Combinations Intermediate winner Susan Gini-Jones
WINNER Intermediate

Anca Crahmaliuc – Romania

The Giant – Ring

What was your inspiration?
It’s HUGE! It’s EXCESSIVE! It’s Hollywood. This big fine silver ring embraces a rough natural citrine that cannot be ignored on any hand. I imagine that it could be worn in a movie of ’30s or on the red carpet.

Juror comments:

From what I can see, the contrast of the cool silver with the warmth of the stone. It really frames it nicely. This ring would definitely catch my attention.

Stunning ring. Nice border and width of the ring band in relation to the stone. Great added texture and details.

I do enjoy big and chunky, and I like the use of citrine with metal clay. The angular nature of the base of the ring flows nicely with the stone. I do worry about the durability of the prongs being able to take the wear and tear of use. Nice finishing work of the edges and the connection points of the prongs.

Photo credit: Radu Calin Crahmaliuc

Great Combinations Advanced winner - Patrice Baker
WINNER Advanced

LauraKay Whiticar-Darvill, USA

The Great Gatsby and The Green Glow – Pendant

What was your inspiration?
F. Scott Fitzgerald’s “The Great Gatsby” transports readers into the dazzling world of the “Roaring Twenties,” a period marked by opulence, ambition, and sweeping social changes. Both the novel and its film adaptation immerse audiences in the lush lives of characters whose stories unfold amid wealth and restless aspirations.

Set on two peninsulas—East Egg and West Egg—the narrative reveals a stark contrast between “old money” and “new money.” East Egg, home to Tom and Daisy, exudes sophistication and understated grace, emblematic of established wealth. West Egg, on the other hand, is defined by extravagance: Gatsby’s ornate mansion, vibrant parties, and iconic yellow car reflect a relentless drive to rise within society.

A pivotal symbol in the story is the green lantern glowing from Daisy’s dock. Visible across the bay from Gatsby’s home, it embodies his yearning for what remains just beyond his grasp—the hope of rekindling his romance with Daisy. More broadly, it represents the elusive “American Dream,” the unending pursuit of happiness and fulfillment.

East Egg’s refined homes and residents are content with their status, shunning ostentatious displays. This stands in sharp contrast to the ambition and showiness of West Egg’s newcomers, who seek recognition and acceptance. Separating them is the “Valley of Ashes,” a bleak, gray area symbolizing moral decay and the struggles of those less fortunate. Overlooking this wasteland are the eyes of Dr. T. J. Eckleburg, hinting at the presence of moral or divine judgment.

The experience of “The Great Gatsby” through both book and film reveals notable differences. The movie’s visuals amplify the era’s glamour and extravagance, highlighting Fitzgerald’s themes and symbols. The adaptation brings to life the exuberance and contradictions of the period, deepening our appreciation and understanding.

Creating a pendant—also usable as a picture on a small easel—based on the story was both challenging and exhilarating. Capturing all the essential elements proved difficult, and even upon completion, there were aspects I wished to add or change. Ultimately, I am pleased with the result and grateful for the opportunity to represent a beloved movie through this artistic endeavor.

Juror comments:

I enjoy how the artist was able to layer elements to create a narrative structure and pay homage to The Great Gatsby.

Nice concept and good execution. Would be improved with a larger or doubled up chain.

I like that this is a complete piece. The handmade chain and the off-set clasp highlight your work. The subtle use of texture makes you want to look more at the piece and I like the use of the inks to highlight sections. I would have like to see an additional image to show off your use of the hidden bails on the chain. The 3-D quality along with the punctured background add to the dimensionality.

Photo credit: Artist Own

Did you enter? If you would like to see your juror feedback, you can log in and see what the jurors said about your entry.

Juror feedback is private for the artist who submitted the work.

Each artist can only see the feedback for their own piece.

To see your feedback, after logging in using the button above, click on the blue star against your entry and you will see the feedback.

Interested in who won the previous challenges?

Check out the Winner’s Gallery

Prizes

All prize packages are valued at over $500USD
NOTE: Grab Bags and Selection of Jewelry Sketchbooks may vary.

Beginner

25g EZ960
(Sponsored by Cool Tools)

25g Phoenix 999
(Sponsored by Cool Tools)

Metal Clay Grab Bag – includes:

    • Woodclay Powder – (Prometheus)
    • Fused Glass Cabochon – (Fused Glass Cabs Limited)
    • Texture Sheets (2) – (TextureSmith.com)
    • Starfish Mold – (Penny Akester)

Selection of Jewelry Sketchbooks (Collections, Mini-Ears, Necks, Pocket Collections)
(Sponsor Sian Hamilton)

Annual Subscription to Metal Clay Today
(Sponsored by Metal Clay Today)

Your choice of a 2-hour private consultation selected from a wide range of offerings from our AMCAW experts.

See the Expert Consultations page for more details.

Intermediate

25g EZ960
(Sponsored by Cool Tools)

25g Phoenix 999
(Sponsored by Cool Tools)

Metal Clay Grab Bag – includes:

    • Woodclay Powder – (Prometheus)
    • Fused Glass Cabochon – (Fused Glass Cabs Limited)
    • Texture Sheets (2) – (TextureSmith.com)
    • Starfish Mold – (Penny Akester)

Selection of Jewelry Sketchbooks (Collections, Mini-Ears, Necks, Pocket Collections)
(Sponsor Sian Hamilton)

Annual Subscription to Metal Clay Today
(Sponsored by Metal Clay Today)

Your choice of a 2-hour private consultation selected from a wide range of offerings from our AMCAW experts.

See the Expert Consultations page for more details.

Advanced

25g EZ960
(Sponsored by Cool Tools)

25g Phoenix 999
(Sponsored by Cool Tools)

Set of Prometheus Clays
(Sponsored by Prometheus Hobby & Craft)

    • Bronze Clay Syringe 10g or Bronze Clay Syringe Greenish Yellow 10g
    • Bronze Clay Syringe Sterling White 10g
    • Copper Clay Syringe 10g or White Bronze Syringe 10g
    • Bronze Clay Greenish Yellow 20g
    • Bronze Clay Light Yellow 20g or Sunny Bronze Clay 20g
    • Bronze Clay 20g
    • Copper Clay 20g

Selection of Jewelry Sketchbooks (Collections, Mini-Ears, Necks, Pocket Collections)
(Sponsor Sian Hamilton)

Annual Subscription to Metal Clay Today
(Sponsored by Metal Clay Today)

Your choice of a 2-hour private consultation selected from a wide range of offerings from our AMCAW experts.

See the Expert Consultations page for more details.

Sponsors

Cool Tools Logo
Texture Smith
Prometheus Hobby & Craft

Jurors

Bronwyn Evans

Anne Mitchell

Anne is a jewelry designer and instructor who works in fine silver and loves to stretch the medium.

Read more about her here…

Karen Suarez

Andrew Thornton

Andrew is a professional fine artist in mixed-media who works in painting, collage, metalsmithing, and jewelry.

Read more about him here…

Sarah Doremus

Katie Rearick

Kate is a jeweler. Her work ranges from small-scale body adornment to large sculptural installations. 

Read more about her here…

Artist Information

Please read the rules below carefully before creating your piece; we’ve also provided guidelines to help you select your category and prepare your entry.

Entries will be judged on the following criteria:

  • Design innovation and originality
  • Successful incorporation of materials
  • Quality of workmanship

Cost

There is no cost to enter the 2025 Big Screen Challenge, you simply need to be a current member of AMCAW. All submissions will be checked against our member database before entry into the Challenge. Click here for more information about membership.

Key Dates

August 1, 2025 – Submission for entries opens
September 5, 2025 – Submission closes for all entries
September 26, 2025 – Winners announced

How to Enter

Please read the challenge rules (terms and conditions) for complete details on eligible submissions.

The challenge is open to both jewelry and non-jewelry items.

To enter this challenge you will need to create an account on Artcall. The button below (available when the challenge is open!) will take you to the site where more details are available. If you have entered a previous challenge your Artcall login details will be the same for this one.

Photography Guide

Below are a range of images to help show what we will accept and what we will not. All of these photos were shot using a mobile phone camera and natural daylight only.

If you are struggling with photography, check out our blog posts Top 5 tools for taking great photos on a budget and Learn How To Edit Your Photos like a Pro

See Submission Guidelines below for more detail.

Piece shown clearly on white

Piece shown clearly on black

Piece shown clearly on background with slight shadow

Piece shown clearly with whole chain

Props detract from the piece

Too dark – piece can not be seen clearly

Out of focus – piece is blurry

Background too prominent

Submission Guidelines

How to Submit your Entry 

  • Submit one photograph of your piece following the rules for submitting photographs. 
  • Fill in the form that accompanies your photograph. 
  • Accept the terms and the privacy requirements. 

Rules on Submitting Photographs 

The only thing the jury will see when they are making their deliberations is the photograph of your submission. It is vitally important that your photograph represents your work in the very best way possible. Here are the rules for submitting your photographs: 

  • Use a high-quality photograph with a plain, black, graduated or white, smooth, uncluttered background and no additional props (plants, rocks, ring stands, busts etc.)
  • Do not show jewelry on a model or hold the piece in your hand
  • Jewelry must be complete and ready to wear. ie. pendant shown on a chain
  • Details of the piece should be clearly visible in the image
  • The photograph must be in focus and well lit
  • Images should be 300-dpi, JPEG format and no larger than 4MB
  • Only two photographs of the same piece may be entered per person
  • The second photograph should show detail not seen in the first photograph
  • Do not list your name, company name or logo or any other information that may identify you in your photograph

Information about your submission 

Each submission must include the following information: 

  • The category. 
  • The name of the piece. 
  • What the piece is – necklace, earrings, hair clip, etc. 
  • The dimensions of the piece. 
  • Type of metal clay used – fine silver, sterling silver, 960/950, bronze, copper etc. Do not include the brand. 
  • Other materials used – type of metal, stones, beads, other media etc.
  • Photographer credit if applicable.

Categories for Entry 

  • Beginners
  • Intermediate
  • Advanced

Entries will be judged on the following criteria:- 

  • Design innovation and originality. 
  • Successful incorporation of materials. 
  • Quality of workmanship. 

Key Dates 

August 1, 2025 – Submission for entries opens
September 5, 2025 – Submission closes for all entries
September 26, 2025 – Winners announced

Juror’s comments

After September 26, we will enable the juror’s comments on Artcall so the individual can view the comments about their entry. This information will only be available to the person who entered the piece by logging into their Artcall account and viewing their submission.

Challenge FAQs and things to clarify

 

Q:Who can enter, and who can’t?

A:Anyone can enter, including AMCAW board members, advisory board, and committee chairmen. You just need to become a member of AMCAW before entering and can join anytime right up to the entry deadline. Membership will be checked on the closing date to ensure the artist is still a current member. Entries for anyone with a lapsed membership will not be accepted.

Q:I can’t afford a professional photographer. How can I get a good image of my piece?

A:There are many free online tutorials about taking jewelry photographs; try Googling “taking jewelry photos” to find one. One key thing is lighting; it’s not all about the camera you’re using. Good images are possible with the newer phones, but you do need to use good lighting to get a clear picture and remember to save the image at the largest possible size.

Q:I can’t upload my image, it’s telling me the size is wrong. How do I resize my image?

A:There are a number of free image resizing programs online which can help. Try Googling “resize photos” or try one of these free sites: resizeimage.net, pixlr.com, or paint.net. If your computer uses Windows 10, your Paint application is also a good resource. Tip: It’s best to upload your photo a few days before the deadline so you can submit another photo if the first one isn’t sized correctly or is in the wrong format.

Q: I don’t understand the image size requirements. What is 1000px?

A: Px means pixels; your photo should be between 1000 pixels and 4000 pixels in size. Most photo resizing applications allow you to adjust the pixel size, as well as save it in a .jpeg format.

Q: Help! I think I’m a member of AMCAW but none of my emails or passwords are being recognized online.

A: Just send an email to hello@amcaw.org and we will help you.

Q: Can I enter now and join AMCAW later?

A: You must log in using your AMCAW username and password to gain access to the challenge entry portal, so membership is required at the time of entry. In addition, all entries will be verified for membership on the challenge closing date.

Q: I always wait until the last minute! Can I enter on the last day?

A: Yes, but if anything is wrong with your entry, such as the photo, you won’t have time to resubmit it. Don’t risk it! We know time is always tight for artists, so go ahead and start the entry process with your basic information at your earliest convenience; your info will wait safely in the system until you’re ready to upload your photo.

Q: What happens if my piece is rejected for some reason – can I resubmit?

A: Yes.  If anything doesn’t meet the guidelines, you will be sent an email saying your entry has not been accepted, giving you details of why (for example, photo isn’t clear enough). Make sure the email you use to submit your piece(s) is one you monitor regularly as that is the only way we will contact you. Your piece will not be presented to the jury until you address the issue. You can correct and resubmit the piece but keep in mind that your resubmitted entry must be received by the deadline. You will not be able to change your submission image once the deadline has passed and in that case your piece will not be included in the jury process.

Q: The theme of this challenge is not for me. Will there be other challenges in the future?

A: Yes, we have two challenges a year. 

Challenge rules
  1. This competition is only open to members of AMCAW. All submissions will be checked against our member database on the date the Challenge closes,  September 5, 2025 (midnight GMT), before entry into the Challenge. Submissions from non-members or members whose membership has lapsed will not be accepted or acknowledged. 
  2. There are three categories of entry defined by the skill level the maker has in working with metal clay. Members should submit their work in the category they feel most accurately represents their experience with metal clay. The jury reserves the right to reclassify the category of an entry.
  3. Please read the submission and photograph guidelines carefully and ensure you follow them. Submissions which do not follow the guidelines will not be accepted and you will be informed that your entry is not in an acceptable format. You may resubmit the entry using the correct format before the deadline, so it’s to your advantage to enter the Challenge early.
  4. Members can submit up to three entries, but each entry must be submitted separately and must follow the submission guidelines.
  5. The Artcall system does not allow you to enter anything after the deadline. This includes anything that is rejected and requires resubmission.
  6. All entries must be the work of the AMCAW member submitting it, and must be a unique and original design.
  7. All entries must use metal clay in part or in full. Mixed media work is acceptable, but the entry should use metal clay as a significant element in the design.
  8. The jury will be looking for design innovation and originality, successful incorporation of materials and quality of workmanship.
  9. Photographs should be high resolution, between 1,000 and 4,000 pixels, in .jpeg format, and no larger than 4 MB.
  10. The jury will evaluate each entry anonymously – in other words, without knowing the name of the member who submitted it. Do not show your name, company name, logo, website or social media links or any other information that may identify you, in your photograph(s), the materials used, the name of the piece or in the text for what inspired you to make the piece. Personal details must only be entered in the user profile area of your ArtCall account.
  11. When you enter a piece in this challenge, you agree to AMCAW using the image of your piece in publicity, sharing your name and image with our sponsors – who may use it in their publicity – sharing it with other members of AMCAW and the general public. AMCAW reserves the right to use the image on their website, in their advertising and on social media. By entering this challenge, you are agreeing to these conditions.
  12. All shipping, import tax, duty and handling charges for prizes sent will be paid by AMCAW. Duty, tax, etc., may need to be paid by the recipient (depending on your local tax and import rules) but AMCAW will reimburse you upon receiving official receipts for payment.
  13. Expert Consultations must be completed within six months of the winner being notified. AMCAW reserves the right to withdraw this prize
    if the winner does not finalise the details and dates with their chosen expert within six months.
  14. The decision of the jury is final.
  15. Winners will be notified by email.

AMCAW Conflict of Interest policy.

Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible.

Cookie information is stored in your browser and performs functions such as recognizing you when you return to our website. For example if you like to save your username and password when logging into your member account then this is saved as a cookie.

We use Google Analytics to track what pages you visit to help us better understand what is of interest to our visitors. This is collected from your IP address, which locates you within an area and doesn't contain any personal information about you. If you want to see more information about your IP address click here to find your IP and click here to find out what your IP address shows about you.

Our membership services are through Membershipworks and they use cookies to provide the service to you. These cookies are necessary and essential to the workings of the website when you are logged in. They cannot be turned off as the website would not function correctly without them.

See our full Privacy and Cookie Policy here